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Rebutting David Greenberg's Broadside on Howard Zinn

Read David Greenberg's response here.

The March 25 issue of The New Republic offers a lengthy piece by Rutgers professor David Greenberg, “Agit-Prof: Howard Zinn’s Influential Mutilations of American History.” The essay presented as a review of Martin Duberman's Howard Zinn: A Life on the Left (2012) [read HNN book editor Ron Briley's review here], ranges widely, with attacks on Staughton Lynd and myself, the American Historical Association’s Radical Caucus of 1969, New Left historians; and with positive words about other historians, including consensus historians and Eugene Genovese -- who Greenberg calls, in the understatement of the year, “cantankerous.” What follows below are critical responses submitted to TNR by myself, Staughton Lynd, and Robert Cohen. Lynd and I, New Left historians, were leading participants in the 1969 Radical Caucus, and the caucus ran Lynd for president of the association. At that same tumultuous 1969 meeting, I presented the paper which was later published as On Active Service in War and Peace: Politics and Ideology in the American Historical Profession (Toronto 1975). Cohen (NYU) is author of a biography of Mario Savio and other books, and, on HNN, “When Assessing Zinn, Listen to the Voices of Teachers and Students.". He is editing for publication Zinn’s 1963 Spelman College diary.

TNR was slow to put Greenberg’s diatribe on its website [the graphic accompanying the story is to the left] -- it finally appeared in this form on March 19, some time after subscribers had received the hard copy (Greenberg complained on Facebook: “My long review… is finally accessible on The New Republic website”). But word had gotten around and there were rumblings among historians. The cyberworld being what it is, some of this got back to Greenberg, who silently corrected one or two errors that are in the hard copy but that mysteriously vanished from the web version. This is a new and somewhat Orwellian feature of publication: which is the real New Republic, the one on the web, or the hard copy? (Compare with the New York Times, which follows the emerging convention in specifying on the web copy corrections that have been made). Nonetheless, our critique addresses issues raised by Greenberg and should be part of the ongoing discussion. [A PDF scan of the print edition can be downloaded here so readers can make their own judgments.]

Jesse Lemisch
March 19, 2013

* * * * *

Jesse Lemisch:

David Greenberg is confused and, finally, just plain wrong, about what happened at the 1969 meeting of the American Historical Association when he writes: “Jesse Lemisch, a leading activist, ran for association president on an insurgent ticket.” In fact, contrary to Greenberg, I did not run for any office. We members of the AHA Radical Caucus nominated historian Staughton Lynd for president of the association as a protest against many things, including Soviet-style elections of AHA officers without opposition. And, unhappy with the governance of the Association, we were also deeply opposed to the war in Vietnam. (Lynd had been evicted from his position in the Yale History Department for having done his Quaker duty on a dangerous peacemaking trip to Hanoi.) I’m proud to be confused with Lynd.

The meeting was, as Greenberg states more correctly, "a donnybrook." One of the tumultuous business meeting’s features was a frothing rant against Lynd and the rest of us by Eugene Genovese, who shouted from the floor, to thunderous applause from the Right, "we must put them down, put them down hard, once and for all" (For an account, see my essay “Radicals, Marxists and Gentlemen" in the Radical Historians Newsletter, no. 59, November, 1989). Genovese had earlier made a reputation in the pages of the New York Review of Books as the Marxist who could be depended on to attack the Left. One result of all this was a kind of a democratic revolution in the governance of the AHA, after a post-election Pacification Tour by the candidate who was elected president, Robert R. Palmer. If it is true that what Greenberg mistakenly calls "Lemisch’s insurrection" did "sputter," it nonetheless had a deep impact on the AHA, as anyone who knows the organization today will immediately observe. Greenberg’s language could be applied more broadly to the various insurrections of the 1960s, and maybe that’s his agenda: as it happens, many of the historians whom he seeks to rehabilitate (C. Vann Woodward and others) found themselves vehemently and publicly at odds with main currents of the 1960s and hardly divorced their history from their politics.

At the time, many of us on the Left were also engaged in the complex task of figuring out how to be both scholars and activists (see for instance my 1968 “Who Will Write a Left History of Art While we are All Putting our Balls on the Line?” which was reprinted in the Journal of American History in September 1989). Greenberg clearly sides with the anti-activist position taken by Genovese, about whom he can’t find anything more critical to say than that he was "cantankerous." (This is the same Genovese who ended up back in the Roman Catholic Church and admiring Southern conservative traditions). Faced with a choice between Genovese and Lynd, anybody acquainted with the times, the war, and the way professional associations used to be run will of course side with Lynd.

* * * * *

Staughton Lynd:

Jesse Lemisch did not run for president of the American Historical Association in 1969. It was I. I am unsure whether this flagrant error is an "influential mutilation of American history," to borrow the sub-title of David Greenberg's article on Howard Zinn. Perhaps it is only one of the errors in fact strewn throughout the article.
Here are other "arguments compounded by factual errors" (once more to borrow an expletive from Mr. Greenberg) presented in the article:

1) Greenberg says that at Spelman College in Atlanta, where Howard and I taught history in the early 1960s, the civil rights movement attracted "middle-class black college students." The most celebrated of several students at Spelman during the time that we both taught there was Alice Walker, the Pulitzer Prize-winning author of The Color Purple. Her father was a sharecropper. My wife Alice and I shared a memorable Christmas meal with the Walkers at their home in Eatonton, Georgia.

2) Greenberg says that Howard's book on SNCC was "charitably described" by Martin Duberman as on-the-spot reporting "rather than a comprehensive scholarly account." I can remember entering the Zinns' apartment on the Spelman campus and finding Howard tape recording the experience of two SNCC organizers who had just been released from jail. I am under the impression that Howard's participatory observation of SNCC activity in Albany, Georgia, and Hattiesburg and Greenwood, Mississippi, remain building blocks for more comprehensive scholarly accounts by historians like Wesley Hogan and James Marshall. Does it disqualify a narrative as history if the writer was present when history was being made? What about Ten Days That Shook The World by John Reed or Homage to Catalonia by George Orwell?

3) Howard Zinn was abruptly terminated by Spelman College the day after students left campus in June 1963. Greenberg says: "Zinn secured an offer from the government department of Boston University, and the family returned North." No, Howard went to his faculty mailbox to check on his mail before his family, already in the loaded car, left the campus to return North. (See Zinn's autobiography, You Can't Be Neutral on a Moving Train, a source that Greenberg gives no indication that he has consulted, at pages 41-45.) There, his livelihood having been taken away without notice or opportunity to appeal, Howard was able to find another job.

4) Greenberg sets up a supposed contrast between :"good" New Leftists like Eugene Genovese who did not let their politics influence their writing of history, and "bad" New Leftists like Howard who "sympathized with the NLF." I was on the speakers' platform with Genovese at a Vietnam War teach-in at Rutgers University. I heard him say that he hoped the NLF would win. I am not aware of any similar statement by Howard. In any event, Greenberg's article does not provide such evidence.

5) Greenberg asks us to consider whether Howard Zinn may have been a member of the Communist Party. Like Greenberg, I don't know. I do know that one of the books that influenced Howard in his conversion from eager bombardier to passionate opponent of any conceivable modern war was Johnny Got His Gun by Dalton Trumbo [himself a member of the Communisty Party from 1943 to 1948], about a young man who became a soldier and then a paraplegic. In my last telephone conversation with Howard he commented bitterly that the Communist Party, by then intent on military victory, had prevented the book's re-publication during World War II.

6) Greenberg says that in Howard's discussion of the United States at mid-century labor's "decisions to work with management to secure good wages and benefits are seen as selling out." In what I consider a densely-documented stretch of A People's History (1999 ed., pp. 392-402), Howard grounds his analysis on that of Frances Fox Piven and Richard Cloward in their book Poor People's Movements. This is one stretch of United States history that I know something about and I believe that to characterize Zinn's discussion as "lazy, conventional" history, as exhibiting a "subordination of analytical problems," or as a reduction of "historical analysis to political opinion," is itself lazy, conventional, hostile to analysis, and politically opinionated.

There is a "pretty lousy piece of work" on display in David Greenberg's article. But it is not a piece of work by Howard Zinn.

* * * * *

Robert Cohen:

David Greenberg believes it a cardinal sin that Howard Zinn biographer Martin Duberman does not share his jaundiced view of Zinn’s A People’s History of the United States. Greenberg misses the lessons of his own past. As a high school student A People’s History left Greenberg “thrilled” with radical history. And the result? Today he is a professor of history! Nor is Greenberg unusual in this regard. Historian Eric Foner notes having “long been struck by how many excellent students of history first had their passion for the past sparked by reading Howard Zinn.” Student and teacher letters in the Zinn papers at NYU attest that his book engaged them with a radical view of the American past that contradicted their stultifying, triumphalist textbooks. Zinn put the history of workers, racism, class inequality, imperialism, and sexism front and center, something unheard of in popular histories, and even more remarkably his leftist A People’s History became a best-seller in the Reagan era. Yes, the book has flaws, and these are noted by Duberman, but it broke new ground for many readers, including Alice Walker, who termed it “the first true history of the United States. It is called A People’s History because, at last, we are all there!” Greenberg’s polemic is useless for those of us seeking to understand Zinn’s impact and the transformative power of his history for many readers, like Bruce Springsteen, who told Rolling Stone:

Howard Zinn’s A People’s History of the United States had an enormous impact on me. It set me down in a place that I recognized and felt I had a claim to. It made me feel that I was a player in this moment in history, as we all are, and that this moment in history was mine, somehow, to do with whatever I could. It gave me a sense of myself in the context of this huge American experience and empowered me to feel that in my small way, I had something to say, I could do something. It made me feel a part of history, and gave me life as a participant.

* * * * *

David Greenberg's Response

It's been humbling to receive what has on the whole been an overwhelmingly positive response to my review of Martin Duberman's worthy but problematic biography of Howard Zinn. But these three overwrought letters, which reflect more poorly on them than on anything I wrote, deserve comment. Though we clearly have different views of Zinn's work, and it's reasonable that they might wish to defend their friend and colleague, it's a shame they couldn't be more open-minded in their consideration of the facts. I tried hard to ensure that my review was moderate in its tone and fair to Zinn. Anyone inclined to believe their shrill characterizations ("diatribe," etc.) should read my review before passing judgment.

I've known Lemisch slightly over the years, always on pleasant terms, and so his raving tone is particularly disappointing. His prefatory note begins in error and gets loopier as it goes on, speaking ominously of "rumblings among historians" and "one or two errors" (was it one or two? what are they?) that then "mysteriously vanished." Nowhere in the piece did I attack him or Lynd. I did, regrettably, mix them up at one point in my review -- purely a mental tic, like writing Upton Sinclair when you meant Sinclair Lewis. When a reader told me of the error, I asked The New Republic to fix it online and note it in print. This "Orwellian" conspiracy is, in journalistic circles, referred to as a "correction."

Lemisch also absurdly reads petulance into my peppy Facebook notice sharing a link to the piece with friends (a group that includes, or included, Lemisch). I never "complained" that the magazine's print version appeared before the online version. This, too, is common practice in journalism, not the work of any shadowy forces. He also misreads my discussion of Eugene Genovese: though I endorse Genovese's insistence on writing history based on evidence rather than ideological preconceptions, my portrait of his behavior at the 1969 AHA convention (drawn from Peter Novick's That Noble Dream, among other sources) was hardly meant to reflect well on him, as any clear-eyed reader could see. That Lemisch divines all kinds of dark motives into simple words and deeds should cast doubt on his warped interpretation of my review.

Staughton Lynd has some minor quibbles with my word choices here and there. He offers up a couple of irrelevant factoids about having Christmas dinner with Alice Walker or Zinn's fondness for Dalton Trumbo's antiwar fiction that don't disprove anything I wrote. That Walker's father was a sharecropper doesn't mean middle-class Spelman students weren't drawn to the civil rights movement. That Zinn liked Trumbo has no bearing on whether he was a Communist. My account of Zinn's termination from Spelman, and most other matters, follows Martin Duberman's footnoted book. From Duberman, too, comes the reference to Zinn's soft spot for the NLF, whom he compared to civil rights workers fighting Jim Crow (p. 115, if you want to have a look). In any event, most of the items in Lynd's brief aren't even errors -- only instances in which he misread my review or Duberman's book or has a minor difference of opinion. The one area where I -- and Martin Duberman -- might have done more research is on the question of Zinn's Communist Party activity. According to Ronald Radosh, FBI files show that Zinn was a CP member who attended meetings five days a week. He also worked for the American Labor Party at a time when it had been taken over by the Communists. Zinn, according to Radosh's account, lied to conceal his membership, as many Communists did.

Robert Cohen, too, is so predisposed to construe my review as an attack on Zinn that he can't see how much praise I afford A People's History. Indeed, Duberman's assessment of the book is much closer to mine than it is to Cohen's preferred historical authorities, Alice Walker and Bruce Springsteen. This should be clear from the fact that Cohen misses the entire point of my opening anecdote! Yes, like many young readers, I was drawn to A People's History -- and that's a point in its favor, as I said. Like many such readers, with time and learning I came to see the book's severe problems. I opened with that story precisely because I wanted to demonstrate that point; I don't see how Cohen could have missed this unless he has trained himself diligently to ignore irony. His reliance on Walker and Springsteen to sing Zinn's praises would seem only to prove the weakness of his argument. Accomplished artists they may be, but does he really want to outsource his judgment to them when it comes to assessing the merits of historical scholarship?

Anyway, Springsteen wrote most of his best stuff before A People's History came out. If it transformed him -- and I doubt it did -- it wasn't for the better.

Finally, my Facebook page is closed to the public. I allow only friends to read what I post. It appears that someone who is a Facebook friend of mine -- I don't know who -- took advantage of this confidence to enable the publication of something I posted for private consumption only. Without asking me. That's a pretty sleazy thing to do, however innocuous the posting.

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