October 25, 2004
by Jonathan Schell
Ever since September 11, 2001, and the "war on terror" it occasioned,
the very quality of public events -- their grain, their tenor, their style, if
you like -- has seemed to undergo a certain deterioration, as if from that day
forward history was being authored by a third-rate writer rather than a master,
or was being compelled, even as it visited increasing suffering on real people,
to follow the plot of a bad comic book. Not the representation of the events but
the actua