January 16, 2009
by Joshua Brown
A few years ago, Art Spiegelman, the author of the iconic graphic account of memory and the Holocaust, Maus, explained his wariness about getting “caught in the sway of the totally ephemeral possibilities of political cartooning." The problem, he explained in an October 2004 Mother Jones interview (marking the publication of his 9/11 visual memoir, In the Shadow of No Towers), “is that political cart