Source: Gregory McNamee at Britannica Blog
October 18, 2007
Back in the late 1930s, Cab Calloway, the bandleader whose songs “Reefer Man” and “Sportin’ Life” gave a just-say-yes nod to drugs, seemed pretty exotic fare to the mainstream audiences he courted.
John Birks Gillespie, nicknamed Dizzy for his constant clowning, thought otherwise. In his early 20s, he considered Calloway a square for preferring Jonah Jones’s mellow, accessible swing to Dizzy’s dissonant bebop, a style that Calloway branded “Chinese music.” When Calloway made Jones h