Source: NYT
May 21, 2009
When the Metropolitan Museum set up its first sculpture department in 1886, it threw in anything and everything that wasn’t framed, stitched or printed: “all the sculptures, pottery, porcelain, glassware, jewelry, engraved gems, bronzes, inscriptions, and other such objects of art, commonly termed Bric-a-Brac.”
No doubt to some eyes the museum’s newly reopened American galleries look like Bric-a-Brac City. Twenty generously appointed period rooms, 12 of them seriously spiffed up, a